akdj
Apr 6, 11:01 AM
Have any of you been able to use Sandy Bridge hardware h.264 on the MBP for your AVC files?
I understand that there is an issue with 24p (it's 24.000 hz not 23.976 hz as it should be) which will be corrected with Ivey Bridge, but 30p/60p/60i should work fine. I'm assuming that this feature will show up in Lion, but probably isn't yet supported in SL.
Yes...using the new MBP, 17" SB 2.2 with FCP. Works fine, regardless of frame rate...however, there are a gazillion different "flavors" of AVC and h.264. I shoot HVX/HPX/EX1 and Canon 5d2/7d cams...all either at 24p/30p/60p. And obviously not AVC...however, h.264 I have plenty of experience with... Never had an issue with ANY FR, and this MBP is zippy as hell! Comparable to my '08 Mac Pro 3ghz/8 core machine for times on rendering and compression and exporting. Love this machine and I'm anxiously awaiting the new iMac/Mac Pro updates. I almost bought the 2010 Mac Pro 12 core...but I wanted to wait out the FCP news this year, so held off. If my new MBP is indicative of the performance boost we can expect with the new Mac pro....regardless of whether they use Sandy or Ivy bridge....it's going to be a phenomenal improvement. Big. Huge. Step up!!!
A lot of pros have already left Mac, but I have been holding out. However, this is the last straw. If the new FCP disappoints I will be jumping ship, buying a high-end PC and switching to Avid or Premiere. I just can't stand the frustrations anymore of watching every consumer itoy get upgraded, and then the Pro stuff getting shafted.
The time is now. The new FCP had better have something equivalent to Mercury Playback, optimization for RED footage, different HD codecs, real-time playback, 64 bit, multi-core usage, etc. If it's a dumbed-down consumer product I will be absolutely livid.
This is Bowl *****!!! Come on man....I see these claims with absolutely NO, ZERO proof to back it up...Links? Pics? Video???? IF anything, MORE people have joined the FCP camp...because more people than EVER are buying Macs! Even though Adobe and Avid are cross platform, the affordability of FCP is a real bonus. Everyone I know that uses FCP and has been using FCP has ZERO interest in flipping. Unless you have an extreme PC...Adobe makes no sense (unless you are using the Quadro nVidia cards in a Mac Pro). Sure, the Merc engine increases performance for a few transitions and filters....but rendering is still necessary in MOST cases! Today's speed of the new Macs....MBP, iMacs, Mac Pros...makes the transition from AVC, XDCam, DVCPro, etc to Pro-Res, is actually a very speedy process. Even Canon stepped up last spring with a plug in to increase transcode speeds almost a 1,000% (used to take a minute or two to transform...now done in 10 seconds or less!!!). Once in Pro Res, editing is an absolute breeze...a cake walk, easy as pie:) Especially if you have a recent generation Mac from the last couple of years.
Now...that said, absolutely, I totally agree improvements can be made. As mentioned many times....media management and better integration between other programs in the suite. However, being a long time FCP user, I'm "used" to the export/share option and don't find it too difficult.
Motion is the program I would like to see take a big step forward. I am also a heavy Adobe user and have the entire CS5 Production bundle...but NOT for Premier...I solely use PhotoShop and After Effects. AE has been my go to animated title compositor. Motion, while decent...is certainly behind the eight ball in comparison to Avid and AE for these tasks.
However...most, if not ALL of the pros I know that have been using FCP continue to do so....and there are more motion pictures, BIG ones...this year, edited on FCP than I can remember in years past. Pulling this BS out of your arse is crap. The iToy phenomenon, in my very humble opinion will actually HELP the Pro Apps...as Apple is making more money than EVER!!! This will afford them the expertise they need to develop the pro apps...more so than they've ever been able to do in the past. Keep in mind...for these iToys to be great, they need content....and again, IMHO...I think Apple knows this, and would be happy if every app, movie, song, etc...that resides in iTunes, Mac Store, App Store, etc....was created WITH their soft/hardware as well. Again, just my opinion....Apple won't shoot themselves and the entire creative community in the foot....just when they've becoming the HIGHEST gaining computer sales platform in the world!!! They're selling more computers (MB, MBP, MBair, MP, iMacs) then EVER...and I attribute that somewhat to the excellent user experience so many folks have had with their "iToys". You gotta figure some of those folks will be "Pro" creative guys. And enticed they will be (my Yoda impersonation) by the hardware and software that Apple offers....so if anything, there is Growth in the Pro sector...hardware and software both. NOT a mass exodus. Again...if you truly have proof that "All those Pros have already left Mac"...I'm all ears. If anything, they've made significant gains. Hence the reason AVID has DECREASED their pricing from the astronomical rates it used to cost...and the proprietary rigs you had to have to run the program.
Sorry for the rant. But what you've stated is absolutely NOT true my friend. Period. And THAT is a fact! If you're deciding whether or not to stick with FCP, cool...fine to make that point. Don't make up BS about other "Pros" and their Post Workflow. Other than the BBC switching to Premier, I can think of NO other real, true professionals that have abandoned FCP because it's lacking. It's still a VERY powerful program. Getting older, several places to shine it up, but it still does the job and does it well.
J
I understand that there is an issue with 24p (it's 24.000 hz not 23.976 hz as it should be) which will be corrected with Ivey Bridge, but 30p/60p/60i should work fine. I'm assuming that this feature will show up in Lion, but probably isn't yet supported in SL.
Yes...using the new MBP, 17" SB 2.2 with FCP. Works fine, regardless of frame rate...however, there are a gazillion different "flavors" of AVC and h.264. I shoot HVX/HPX/EX1 and Canon 5d2/7d cams...all either at 24p/30p/60p. And obviously not AVC...however, h.264 I have plenty of experience with... Never had an issue with ANY FR, and this MBP is zippy as hell! Comparable to my '08 Mac Pro 3ghz/8 core machine for times on rendering and compression and exporting. Love this machine and I'm anxiously awaiting the new iMac/Mac Pro updates. I almost bought the 2010 Mac Pro 12 core...but I wanted to wait out the FCP news this year, so held off. If my new MBP is indicative of the performance boost we can expect with the new Mac pro....regardless of whether they use Sandy or Ivy bridge....it's going to be a phenomenal improvement. Big. Huge. Step up!!!
A lot of pros have already left Mac, but I have been holding out. However, this is the last straw. If the new FCP disappoints I will be jumping ship, buying a high-end PC and switching to Avid or Premiere. I just can't stand the frustrations anymore of watching every consumer itoy get upgraded, and then the Pro stuff getting shafted.
The time is now. The new FCP had better have something equivalent to Mercury Playback, optimization for RED footage, different HD codecs, real-time playback, 64 bit, multi-core usage, etc. If it's a dumbed-down consumer product I will be absolutely livid.
This is Bowl *****!!! Come on man....I see these claims with absolutely NO, ZERO proof to back it up...Links? Pics? Video???? IF anything, MORE people have joined the FCP camp...because more people than EVER are buying Macs! Even though Adobe and Avid are cross platform, the affordability of FCP is a real bonus. Everyone I know that uses FCP and has been using FCP has ZERO interest in flipping. Unless you have an extreme PC...Adobe makes no sense (unless you are using the Quadro nVidia cards in a Mac Pro). Sure, the Merc engine increases performance for a few transitions and filters....but rendering is still necessary in MOST cases! Today's speed of the new Macs....MBP, iMacs, Mac Pros...makes the transition from AVC, XDCam, DVCPro, etc to Pro-Res, is actually a very speedy process. Even Canon stepped up last spring with a plug in to increase transcode speeds almost a 1,000% (used to take a minute or two to transform...now done in 10 seconds or less!!!). Once in Pro Res, editing is an absolute breeze...a cake walk, easy as pie:) Especially if you have a recent generation Mac from the last couple of years.
Now...that said, absolutely, I totally agree improvements can be made. As mentioned many times....media management and better integration between other programs in the suite. However, being a long time FCP user, I'm "used" to the export/share option and don't find it too difficult.
Motion is the program I would like to see take a big step forward. I am also a heavy Adobe user and have the entire CS5 Production bundle...but NOT for Premier...I solely use PhotoShop and After Effects. AE has been my go to animated title compositor. Motion, while decent...is certainly behind the eight ball in comparison to Avid and AE for these tasks.
However...most, if not ALL of the pros I know that have been using FCP continue to do so....and there are more motion pictures, BIG ones...this year, edited on FCP than I can remember in years past. Pulling this BS out of your arse is crap. The iToy phenomenon, in my very humble opinion will actually HELP the Pro Apps...as Apple is making more money than EVER!!! This will afford them the expertise they need to develop the pro apps...more so than they've ever been able to do in the past. Keep in mind...for these iToys to be great, they need content....and again, IMHO...I think Apple knows this, and would be happy if every app, movie, song, etc...that resides in iTunes, Mac Store, App Store, etc....was created WITH their soft/hardware as well. Again, just my opinion....Apple won't shoot themselves and the entire creative community in the foot....just when they've becoming the HIGHEST gaining computer sales platform in the world!!! They're selling more computers (MB, MBP, MBair, MP, iMacs) then EVER...and I attribute that somewhat to the excellent user experience so many folks have had with their "iToys". You gotta figure some of those folks will be "Pro" creative guys. And enticed they will be (my Yoda impersonation) by the hardware and software that Apple offers....so if anything, there is Growth in the Pro sector...hardware and software both. NOT a mass exodus. Again...if you truly have proof that "All those Pros have already left Mac"...I'm all ears. If anything, they've made significant gains. Hence the reason AVID has DECREASED their pricing from the astronomical rates it used to cost...and the proprietary rigs you had to have to run the program.
Sorry for the rant. But what you've stated is absolutely NOT true my friend. Period. And THAT is a fact! If you're deciding whether or not to stick with FCP, cool...fine to make that point. Don't make up BS about other "Pros" and their Post Workflow. Other than the BBC switching to Premier, I can think of NO other real, true professionals that have abandoned FCP because it's lacking. It's still a VERY powerful program. Getting older, several places to shine it up, but it still does the job and does it well.
J
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